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Not their victim.”Ĭhopper will roll through Australian cinemas from 26 August, with specific dates for each city dependent on Covid regulations.Hughes/Alliant Techsystems M230 chain gun - 30x113mm B If you want to deal with the violence, and you’re interested in solving the problem, the person you have to come to grips with – the person you have to understand – is the person who is violent. “I wanted to make an honest film exploring the consequences of violence for the perpetrator of violence. I’m not trying to get him elected to public office. “I know very few people who aren’t morally dubious,” he responds. Was he ever uncomfortable about being “on the side” of the morally dubious? “And drama frequently is about dealing with the so-called baddies.”

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Most people are virtuous until they are given the chance to sell their soul, then they do it.”ĭominik is known for crafting nuanced explorations of the humanity and mythology of criminals – from Chopper to Jesse James (in The Assassination of Jesse James by the Coward Robert Ford) to Charles Manson (in the TV show Mindhunter). But that just makes the person more interesting to me.

“I guess it’s not pro-Chopper Read in the fact that it depicts the uncomfortable part of what he does. What would be unethical would be for me to either whitewash him or condemn him. “You can look at anybody with empathy or you can look at them with judgement or condemnation. The truth is the truth and ethics have nothing to do with it, in a way.

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Having said that, it’s not pro his behaviour. When I suggest it would have been disastrous for Dominik to have made a film that was truly pro-Chopper Read, he won’t have it: “I’m telling you, as the director, that it is pro-Chopper Read. But there had to be a logic to it, an emotional logic.” I think you can relate to Chopper – that people in general can relate to him – in an uncomfortable way. It’s trying to show you those failures from a very human place. The director continues: “At the same time it’s not blind to his failings as a human.

So it’s surprising when Dominik describes the film as “very much sympathetic to. It zeroes in on Chopper and his Chopperisms, delivering quotable lines aplenty (“Do I look like Mark Brandon ‘Medicare’ Read?”) without OKing his actions. It’s deep, dramatic and sophisticated, deftly fusing together facts and myths.

The 2018 miniseries Underbelly Files: Chopper was a sobering reminder of what not to do, with its crudely simplistic backstory and its suggestions that Read – seen kissing a baby at one point – was a helluva great guy if only you got to know him. Probably about four or seven, depending on how you look at it.” Read once told the New York Times: “Look, honestly, I haven’t killed that many people. Some people claim Chopper got his nickname because he cut off his own ears others attribute it “to his habit of cutting off his victims’ toes using bolt cutters”. Guardian Australia’s obituary of Read, who died in 2013, details a difficult, crime-filled life that involved many arrests (one for kidnapping a judge, for which he was sentenced to 17 years).

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An even trickier similar dilemma was faced, in different ways, by the 2018 film Acute Misfortune (about the artist Adam Cullen), and the forthcoming Martin Bryant biopic Nitram: how to depict the personality of difficult, toxic and even lethal men without glamourising their behaviour.